Minicurso
Ancient Greek Myth and Brazilian Cinema
Prof. Dr. Konstantinos P. Nikoloutsos Saint Joseph’s University (Philadelphia – USA)
Ancient Greek Myth and Brazilian Cinema
Prof. Dr. Konstantinos P. Nikoloutsos Saint Joseph’s University (Philadelphia – USA)
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| A comédia brasileira Carnaval de Atlântida (1952) é uma metalinguagem que trata das peculiaridades inerentes à produção de grandes clássicos no cenário do cinema nacional. |
Dias 1, 2 e 3 de Junho
Acesse e assista
Acesse e assista
SUGGESTED BIBLIOGRAPHY
Day One
1. Galinsky, Karl. 2007. “Film.” In Craig W. Kallendorf (ed.), A Companion to the Classical Tradition. Malden, MA: Blackwell. 393-407.
2. Paul, Joanna. 2008. “Working with Film: Theories and Methodologies.” In Lorna Hardwick and Christopher Stray (eds.), A Companion to Classical Receptions. Malden, MA: Blackwell. 303-314.
3. ------. 2010. “Cinematic Receptions of Antiquity: The Current State of Play.” Classical Receptions Journal 2.1: 136-155.
4. Solomon, Jon. 2001. The Ancient World in the Cinema. Revised and Expanded Edition. New Haven: Yale University Press. [pp. 1-35].
5. Winkler, Martin M. 2009. Cinema and Classical Texts: Apollo’s New Light. Cambridge: Cambridge University Press. Pp. [pp. 20-50].
6. Dossiê Cinema e Literatura Grega. Revista Archai 7, julho (2011) http://periodicos.unb.
7. Dossiê Recepção dos clássicos. Clássica 26, 3 (2013) http://classica.org.br/
Day Two
2. Barnard, Timothy and Rist, Peter H. (eds.). 1996. South American Cinema: A Critical Filmography, 1915-1994. New York: Garland Publishing, Inc. [pp. 112-114, 118-120].
3. Ciocci,
Sandra. 2012. “O uso da canção na trilha musical da comédia popular da
Companhia Atlântida Cinematográfica – 1942/1962.” Revista Brasileira de Estudos da Canção. 1:1[pp. 64-79].
4. Coelho, Maria Cecília de M.N. “Revendo A grande cidade, de Cacá Diegues: o orfismo às avessas da periferia”. XI Encontro da Sociedade Brasileira de Cinema. São Paulo: FAPESP, 2008, http://www.socine.org.
5. Coelho,
Maria Cecília de M.N. “Helena de Tróia no cinema nacional?! ? O Senhor
se admira!? ? Não, não, absolutamente....” Letras Clássicas (USP), v. 12, 2008(2012) [pp. 251-258]. http://www.revistas.
6. Shaw, Lisa and Dennison, Stephanie. 2004.Popular Cinema in Brazil, 1930-2001. Manchester: Manchester University Press. [pp. 1-8, 59-80, 107-127].
7. ------. 2007. Brazilian National Cinema. [pp. 22-28, 70-78].
8. Viera, João Luiz. 1995. “From High Noon to Jaws: Carnival and Parody in Brazilian Cinema.” In Randal Johnson and Robert Stam (eds.),Brazilian Cinema. Expanded Edition. New York: Columbia University Press. 256-269.
Day Three
1. Barnard, Timothy and Rist, Peter H. (eds.). 1996. South American Cinema: A Critical Filmography, 1915-1994. New York: Garland Publishing, Inc. [pp. 123-125].
2. Coelho, Maria Cecília de M.N. “Entre o mito e a história: as adaptações de Duas vezes com Helena, de Paulo Emílio”. Nuevo Mundo-Mundos Nuevos, 2010 [pp. 1-23].https://nuevomundo.
3. Nagib, Lúcia. 2007. Brazil on Screen: Cinema Novo, New Cinema, Utopia. New York: I. B. Tauris. [pp. 83-97].
4. Signorelli, Tatiana Heise. 2012. Remaking Brazil: Contested National Identities in Contemporary Brazilian Cinema. Cardiff: University of Wales Press. [pp. 87-108].
5. Stam, Robert. 1997. Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture. Durham, NC: Duke University Press Books. [pp. 157-177].
6. Hart, Stephen, M. 2010. A Companion to Latin American Film. [pp. 1-16, 40-46].
Konstantinos P. Nikoloutsos is Associate Professor of Classics and Director of Ancient Studies at Saint Joseph’s University (Philadelphia, USA).
He
has published extensively in the fields of Roman elegy and classical
reception, with an emphasis on cinema and theater, and has delivered
numerous scientific presentations nationally and internationally. He is
the editor of Ancient Greek Women in Film (Oxford University Press, 2013) and Reception of Greek and Roman Drama in Latin America (special issue of Romance Quarterly 59.1: 2012), and co-editor of Classical Tradition in Brazil: Translation, Rewriting, and Reception (New Voices in Classical Reception Studies: Conference Proceedings Series,
2: 2016). His honors include the 2008 Paul Rehak Prize from the Lambda
Classical Caucus for best article in ancient homoeroticism; the 2012-13
Loeb Classical Library Foundation Fellowship from Harvard University;
and the invitation to participate in the Alexander S. Onassis Public
Benefit Foundation University Seminars Program (Brazil, Spring 2016).
